A FEMININE REDOUBT

Chapter:

CHAPTER 10 Millennium's End

Source:

MUSIC IN THE LATE TWENTIETH CENTURY

Author(s):

Richard Taruskin

But the literate tradition is undeniably weakening under pressure from visual media and audio technologies, and performance art like Monk's is one of the symptoms. Most other performance artists have fewer scruples than she about accepting technological innovation, are less resistant than she to reification, and are consequently less likely prospects (or targets) for reclamation by those who trade commercially in notation.

Citation (MLA):

Richard Taruskin. "Chapter 10 Millennium's End." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 15 Mar. 2025. <https://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-010008.xml>.

Citation (APA):

Taruskin, R. (n.d.). Chapter 10 Millennium's End. In Oxford University Press, Music in the Late Twentieth Century. New York, USA. Retrieved 15 Mar. 2025, from https://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-010008.xml

Citation (Chicago):

Richard Taruskin. "Chapter 10 Millennium's End." In Music in the Late Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 15 Mar. 2025, from https://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-010008.xml