RENAISSANCE OR CO-OPTATION?

Chapter:

CHAPTER 4 The Third Revolution

Source:

MUSIC IN THE LATE TWENTIETH CENTURY

Author(s):

Richard Taruskin

The laborious exactitude of the notation in Atmosphères, and the sheer immensity of the score thus produced, were among its most impressive features. They gave the work the same heroic aura of devoted drudgery—of sacrifice in the name of art—that the tedious “classical” techniques of the tape studio enjoyed. A more direct and radical approach to the project of recreating the sound world of electronic music in live performance was adopted by a group of Polish composers who came to prominence during the “thaw” decade that followed the death of Stalin in the countries of what by then was known as the Soviet Bloc.

Citation (MLA):

Richard Taruskin. "Chapter 4 The Third Revolution." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 21 Sep. 2023. <https://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-004012.xml>.

Citation (APA):

Taruskin, R. (n.d.). Chapter 4 The Third Revolution. In Oxford University Press, Music in the Late Twentieth Century. New York, USA. Retrieved 21 Sep. 2023, from https://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-004012.xml

Citation (Chicago):

Richard Taruskin. "Chapter 4 The Third Revolution." In Music in the Late Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 21 Sep. 2023, from https://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-004012.xml