FERMENT ON THE LEFT
But by the mid-1940s the idea of the All-American (but ethnically unmarked) Symphony as optimum embodiment of the American character had received a powerful challenge from what might be called a resurgent Dvořák faction, yet one colored by contemporary circumstances in a manner that Dvořák never envisioned, and would have surely deprecated. The early 1930s witnessed a renewed interest in American white folklore from the perspective of radical politics, which received a major impetus from the depression, particularly in connection with the labor movement. Folk music, now regarded as the product of the American “proletariat,” was researched and performed as an adjunct to political action. It was adopted (and often radically adapted) as agitation and propaganda on behalf of the farmers and workers who were most sorely affected by the economic downturn.
- Citation (MLA):
- Richard Taruskin. "Chapter 11 In Search of the “Real” America." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 6 Dec. 2019. <https://www.oxfordwesternmusic.com/view/Volume4/actrade-9780195384840-div1-011006.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 11 In Search of the “Real” America. In Oxford University Press, Music in the Early Twentieth Century. New York, USA. Retrieved 6 Dec. 2019, from https://www.oxfordwesternmusic.com/view/Volume4/actrade-9780195384840-div1-011006.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 11 In Search of the “Real” America." In Music in the Early Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 6 Dec. 2019, from https://www.oxfordwesternmusic.com/view/Volume4/actrade-9780195384840-div1-011006.xml
