TRANSGRESSION

Chapter:

CHAPTER 11 In Search of the “Real” America

Source:

MUSIC IN THE EARLY TWENTIETH CENTURY

Author(s):

Richard Taruskin

So it might be best not to romanticize the European reception of American popular music after the Great War, or to suppose that it indicates any real change in the Old World’s attitude toward the culture of the New (let alone belief in the equality of races). In any case it was a very temporary fling; by 1927 Milhaud flatly asserted that there was not a single composer in Europe still interested in American jazz. It was only a minor exaggeration.

Citation (MLA):

Richard Taruskin. "Chapter 11 In Search of the “Real” America." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 8 Dec. 2024. <https://www.oxfordwesternmusic.com/view/Volume4/actrade-9780195384840-div1-011002.xml>.

Citation (APA):

Taruskin, R. (n.d.). Chapter 11 In Search of the “Real” America. In Oxford University Press, Music in the Early Twentieth Century. New York, USA. Retrieved 8 Dec. 2024, from https://www.oxfordwesternmusic.com/view/Volume4/actrade-9780195384840-div1-011002.xml

Citation (Chicago):

Richard Taruskin. "Chapter 11 In Search of the “Real” America." In Music in the Early Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 8 Dec. 2024, from https://www.oxfordwesternmusic.com/view/Volume4/actrade-9780195384840-div1-011002.xml