ART AS PLAYTHING
Prokofieff wrote his merry show in New York, having joined the great wave of emigration that followed the revolutions of 1917, a disastrous “brain drain” for Russia that cost it a number of leading composers, including (besides Stravinsky and Prokofieff) the towering figure of Sergei Rachmaninoff (1873–1943) who in addition to being the most prominent Russian composer of his generation was a world-renowned piano virtuoso and an outstanding conductor as well.(The transliterated spellings Prokofieff and Rachmaninoff are those that the composers themselves adopted for professional use abroad.)
- Citation (MLA):
- Richard Taruskin. "Chapter 9 Lost—or Rejected—Illusions." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 6 Dec. 2023. <https://www.oxfordwesternmusic.com/view/Volume4/actrade-9780195384840-div1-009002.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 9 Lost—or Rejected—Illusions. In Oxford University Press, Music in the Early Twentieth Century. New York, USA. Retrieved 6 Dec. 2023, from https://www.oxfordwesternmusic.com/view/Volume4/actrade-9780195384840-div1-009002.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 9 Lost—or Rejected—Illusions." In Music in the Early Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 6 Dec. 2023, from https://www.oxfordwesternmusic.com/view/Volume4/actrade-9780195384840-div1-009002.xml
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