THE EXOTICIZED SELF

Chapter:

CHAPTER 2 Getting Rid of Glue

Source:

MUSIC IN THE EARLY TWENTIETH CENTURY

Author(s):

Richard Taruskin

The case of Maurice Ravel (1875–1937), who for at least a dozen years after Debussy’s death was widely regarded as the foremost French composer, gives reassurance that a positive response to these questions need not be a foregone conclusion, and that national character can be pursued and achieved without insane appeals to “racial sanity.”

Citation (MLA):

Richard Taruskin. "Chapter 2 Getting Rid of Glue." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 6 Dec. 2023. <https://www.oxfordwesternmusic.com/view/Volume4/actrade-9780195384840-div1-002008.xml>.

Citation (APA):

Taruskin, R. (n.d.). Chapter 2 Getting Rid of Glue. In Oxford University Press, Music in the Early Twentieth Century. New York, USA. Retrieved 6 Dec. 2023, from https://www.oxfordwesternmusic.com/view/Volume4/actrade-9780195384840-div1-002008.xml

Citation (Chicago):

Richard Taruskin. "Chapter 2 Getting Rid of Glue." In Music in the Early Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 6 Dec. 2023, from https://www.oxfordwesternmusic.com/view/Volume4/actrade-9780195384840-div1-002008.xml