Music in the Nineteenth Century
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Contents
Music in the Nineteenth Century- Contents
- Preface
- Chapter 1 Real Worlds, and Better Ones
- Chapter 2 The Music Trance
- Chapter 3 Volkstümlichkeit
- The Lied is Born
- The Discovery of the Folk
- Kultur
- Lyrics and Narratives
- The Lied Grows Up: Haydn, Mozart, Beethoven
- Schubert and Romantic Irony
- Representations of Consciousness
- Romantic Nationalism
- The Liturgy of Nationhood
- The Oratorio Reborn
- Mendelssohn and Civic Nationalism
- Nationalism Takes a Turn
- Epilogue: Two Prodigies
- Chapter 4 Nations, States, and Peoples
- Chapter 5 Virtuosos
- Chapter 6 Critics
- Chapter 7 Self and Other
- Genius and Stranger
- National or Universal?
- Or Exotic?
- The Pinnacle of Salon Music
- The Chopinesque Miniature
- Nationalism as a Medium
- Harmonic Dissolution
- Playing “Romantically”
- The Chopinesque Sublime
- Sonata Later On
- Nationalism as a Message
- America Joins In
- Art and Democracy
- Stereotyping the Other: “Orientalism”
- Sex à La Russe
- The Other in the Self
- Chapter 8 Midcentury
- Chapter 9 Slavs as Subjects and Citizens
- Chapter 10 Deeds of Music Made Visible (Class of 1813, I)
- The Problem
- Art and Revolution
- The Artwork of the Future, Modeled (as Always) on the Imagined Past
- From Theory into Practice: The Ring
- Form and Content
- The Texture of Tenseless Time
- The Sea of Harmony
- Desire and How to Channel it
- The Ultimate Experience
- How Far Can You Stretch a Dominant?
- When Resolution Comes…
- The Problem Revisited
- Chapter 11 Artist, Politician, Farmer (Class of 1813, II)
- Chapter 12 Cutting Things Down to Size
- Chapter 13 The Return of the Symphony
- Chapter 14 The Symphony Goes (Inter)National
- Art Credits
- Further Reading
