OPERETTA AND ITS DISCONTENTS
It was in order to make up a double bill with La Périchole, one of the later operettas of Offenbach, that a London theater manager, Richard D'Oyly Carte, commissioned a tiny one-acter from Arthur Sullivan (1842–1900), a graduate of the Leipzig Conservatory who was then serving as principal of a newly opened music academy called the National Training School (now the Royal College of Music). The libretto was by William S. Gilbert (1836–1911), then a staff writer for Fun, the Victorian equivalent of Mad magazine, who specialized in skits that burlesqued standard operas of the day.
- Citation (MLA):
- Richard Taruskin. "Chapter 12 Cutting Things Down to Size." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 6 Dec. 2023. <https://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-012008.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 12 Cutting Things Down to Size. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 6 Dec. 2023, from https://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-012008.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 12 Cutting Things Down to Size." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 6 Dec. 2023, from https://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-012008.xml
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