THE LIED GROWS UP: HAYDN, MOZART, BEETHOVEN

Chapter:

CHAPTER 3 Volkstümlichkeit

Source:

MUSIC IN THE NINETEENTH CENTURY

Author(s):

Richard Taruskin

Until the end of the eighteenth century, and even a bit beyond, the lied was considered a lowly genre, the province of “specialist” composers (i.e., hacks) like Reichardt and his “Second Berlin School” contemporaries Johann Abraham Peter Schulz (1747–1800) and Carl Friedrich Zelter (1758–1832), Goethe's favorite, who as director of the Berlin Singakademie played a leading part in the Bach revival, another manifestation of burgeoning German nationalism.

Citation (MLA):

Richard Taruskin. "Chapter 3 Volkstümlichkeit." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 12 Oct. 2024. <https://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-003005.xml>.

Citation (APA):

Taruskin, R. (n.d.). Chapter 3 Volkstümlichkeit. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 12 Oct. 2024, from https://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-003005.xml

Citation (Chicago):

Richard Taruskin. "Chapter 3 Volkstümlichkeit." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 12 Oct. 2024, from https://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-003005.xml