ONLY CONNECT

Chapter:

CHAPTER 2 The Music Trance

Source:

MUSIC IN THE NINETEENTH CENTURY

Author(s):

Richard Taruskin

For an example of “aria time” impinging on the progress of a more extended musical argument, we can turn to a locus classicus, the codetta from the first movement of the “Great” C-major Symphony, Schubert's last. This movement was Schubert's longest and most complex orchestral composition in “sonata form.”

Citation (MLA):

Richard Taruskin. "Chapter 2 The Music Trance." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 15 Mar. 2025. <https://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-002008.xml>.

Citation (APA):

Taruskin, R. (n.d.). Chapter 2 The Music Trance. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 15 Mar. 2025, from https://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-002008.xml

Citation (Chicago):

Richard Taruskin. "Chapter 2 The Music Trance." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 15 Mar. 2025, from https://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-002008.xml