SALON CULTURE
Like most of Field's nocturnes, the one in A major was composed, published, and for a long time chiefly performed in Russia, where Field had settled in 1803. He had come with his mentor Muzio Clementi (1752–1832), an Italian pianist who had become a major piano manufacturer, with headquarters in London. Clementi left Field behind as a kind of trade representative, who by his playing and teaching and commercial propaganda would stimulate the sale of Clementi pianos to a new clientele. Neither master nor pupil foresaw that Field would spend the rest of his life in St. Petersburg and (from 1821) in Moscow.
- Citation (MLA):
- Richard Taruskin. "Chapter 2 The Music Trance." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 12 Oct. 2024. <https://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-002004.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 2 The Music Trance. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 12 Oct. 2024, from https://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-002004.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 2 The Music Trance." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 12 Oct. 2024, from https://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-002004.xml
Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.