CHAPTER 5 Virtuosos
Paganini and Liszt
Richard Taruskin
The enlargement and social broadening of the musical public in response to new economic, demographic, and technological conditions was the great nineteenth-century musical change. Its most immediate effect, and one with an eventually profound if sometimes indirect influence on all performing and composing activity, is often called “the democratization of taste.” Attitudes toward it vary with attitudes toward democracy itself. From the aristocratic standpoint the democratization of taste meant the debasement of taste. From the standpoint of the bourgeoisie it meant the enlivening, the enrichment, but above all the enhanced accessibility and social relevance of art.
- Citation (MLA):
- Richard Taruskin. "Chapter 5 Virtuosos." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 15 Mar. 2025. <https://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-chapter-005.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 5 Virtuosos. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 15 Mar. 2025, from https://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-chapter-005.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 5 Virtuosos." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 15 Mar. 2025, from https://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-chapter-005.xml
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