Further Reading
Further Reading
The Nineteenth CenturyGeneral Sources
Abraham, Gerald. A Hundred Years of Music. 4th ed., London: Duckworth, 1974.
Bent, Ian, ed. Music Theory in the Age of Romanticism. Cambridge: Cambridge University Press, 1996.
Bujić, Bojan, ed. Music in European Thought, 1851–1912. Cambridge: Cambridge University Press, 1988.
Dahlhaus, Carl. Nineteenth-Century Music, trans. J. Bradford Robinson. Berkeley and Los Angeles: University of California Press, 1989.
Dale, Kathleen. Nineteenth-Century Piano Music. London: Oxford University Press, 1954.
Daverio, John. Nineteenth-Century Music and the German Romantic Ideology. New York: Schirmer, 1993.
Donakowski, Conrad. A Muse for the Masses: Ritual and Music in an Age of Democratic Revolution, 1770–1870. Chicago: University of Chicago Press, 1977.
Einstein, Alfred. Music in the Romantic Era. New York: Norton, 1947.
Holoman, D. Kern, ed. The Nineteenth-Century Symphony. New York: Schirmer Books, 1997.
Lippman, Edward, ed. Musical Aesthetics: A Historical Reader, Vol. II: The Nineteenth Century. Stuyvesant, N.Y.: Pendragon Press, 1986.
Longyear, Rey M. Nineteenth-Century Romanticism in Music. 2nd ed., Englewood Cliffs, N.J.: Prentice Hall, 1973.
Newman, William S. The Sonata Since Beethoven. 3rd ed., New York: Norton, 1983.
Plantinga, Leon. Romantic Music: A History of Musical Style in Nineteenth-Century Europe. New York: Norton, 1984.
Ratner, Leonard G. Romantic Music: Sound and Syntax. New York: Gale Group, 1992.
Ringer, Alexander, ed. Music and Society: The Early Romantic Era. Englewood Cliffs, N.J.: Prentice Hall, 1991.
Rosen, Charles. The Romantic Generation. Cambridge: Harvard University Press, 1995.
Samson, Jim, ed. The Cambridge History of Nineteenth-Century Music. Cambridge: Cambridge University Press, 2002.
——. Music and Society: The Late Romantic Era. Englewood Cliffs, N.J.: Prentice Hall, 1991.
Todd, R. Larry. Nineteenth-Century Piano Music. New York: Routledge, 1990.
Weber, William. Music and the Middle Class: The Social Structure of Concert Life in London, Paris, and Vienna. London: Croom Helm, 1975.
Young, Percy M. The Concert Tradition. London: Routledge and Kegan Paul, 1965.
Chapter 1 Real Worlds, and Better Ones
Ashbrook, William. Donizetti and His Operas. Cambridge: Cambridge University Press, 1982.
Bushnell, Howard. Maria Malibran: A Biography of the Singer. University Park: Pennsylvania State University Press, 1979.
Dent, Edward J. The Rise of Romantic Opera, ed. Winton Dean. Cambridge: Cambridge University Press, 1976.
FitzLyon, April. The Price of Genius: A Life of Pauline Viardot. London: J. Calder, 1964.
Gossett, Philip. Anna Bolena and the Artistic Maturity of Gaetano Donizetti. Oxford: Oxford University Press, 1985.
——. The Tragic Finale of [Rossini's] ‘Tancredi.’ Pesaro: Fondazione Rossini, 1977.
Orrey, Leslie. Bellini. London: J. M. Dent, 1969.
Osborne, Richard. Rossini. London: J. M. Dent, 1987.
Rosselli, John. The Life of Bellini. Cambridge: Cambridge University Press, 1996.
——. The Opera Industry in Italy from Cimarosa to Verdi: The Role of the Impresario. Cambridge: Cambridge University Press, 1984.
Stendhal. Life of Rossini, trans. R. N. Coe. London: Calder and Boyars, 1956. Reprint, Seattle: University of Washington Press, 1972.
Till, Nicholas. Rossini: His Life and Times. London: Hippocrene Books, 1983.
Weinstock, Herbert. Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the Nineteenth Century. New York: Random House, 1963.
——. Rossini: A Biography. New York: Knopf, 1968.
——. Vincenzo Bellini: His Life and His Operas. New York: Knopf, 1971.
Chapter 2 The Music Trance
Bloom, Peter, ed. Music in Paris in the 1830s. Stuyvesant, N.Y.: Pendragon Press, 1987.
Chusid, Martin. Schubert: Symphony in B minor (“Unfinished”). Norton Critical Scores. New York: Norton, 1968.
Deutsch, Otto Erich. The Schubert Reader: A Life of Franz Schubert in Letters and Documents, trans. Eric Blom. New York: Norton, 1947.
Deutsch, Otto Erich, ed. Schubert: Memoirs by Family and Friends. London: A. and C. Black, 1958.
Gibbs, Christopher. The Life of Schubert. Cambridge: Cambridge University Press, 2000.
Gibbs, Christopher, ed. The Cambridge Companion to Schubert. Cambridge: Cambridge University Press, 1997.
Hanson, Alice M. Musical Life in Biedermeier Vienna. Cambridge: Cambridge University Press, 1985.
Johnson, James H. Listening in Paris: A Cultural History. Berkeley and Los Angeles: University of California Press, 1995.
Loesser, Arthur. Men, Women, and Pianos: A Social History. New York: Simon and Schuster, 1954.
McKay, Elizabeth Norman. Franz Schubert: A Biography. Oxford: Oxford University Press, 1996.
Newbould, Brian. Schubert and the Symphony: A New Perspective. London: Toccata Press, 1993.
——. Schubert: The Music and the Man. Berkeley and Los Angeles: University of California Press, 1997.
Piggot, Patrick. The Life and Music of John Field. Berkeley and Los Angeles: University of California Press, 1973.
Chapter 3 Volkstümlichkeit
Citron, Marcia J., ed. The Letters of Fanny Hensel to Felix Mendelssohn. Stuyvesant, N.Y.: Pendragon Press, 1987.
Elvers, Rudolf, ed. Felix Mendelssohn: A Life in Letters, trans. Craig Tomlinson. New York: Fromm International, 1986.
Hensel, Sebastian, ed. The Mendelssohn Family (1729–1847), trans. Carl Klingemann. New York: Harper, 1882.
Kramer, Richard. Distant Cycles: Schubert and the Conceiving of Song. Chicago: University of Chicago Press, 1994.
Mendelssohn, Felix. Letters, trans. G. Selden-Goth. New York: Pantheon, 1945. Reprint, New York: Vienna House, 1973.
Mercer-Taylor, Peter. The Life of Mendelssohn. Cambridge: Cambridge University Press, 2000.
Nichols, Roger, ed. Mendelssohn Remembered. London: Faber and Faber, 1997.
Porter, Cecelia Hopkins. The Rhine as Musical Metaphor: Cultural Identity in German Romantic Music. Boston: Northeastern University Press, 1996.
Sposato, Jeffrey S. “The Price of Assimilation: The Oratorios of Felix Mendelssohn and Nineteenth-Century Anti-Semitic Tradition.” Ph.D. diss., Brandeis University, 2000. New York: Oxford University Press, forthcoming.
Stein, Jack M. Poem and Music in the German Lied from Gluck to Hugo Wolf. Cambridge: Harvard University Press, 1971.
Tillard, Françoise. Fanny Mendelssohn. Portland, Ore.: Amadeus Press, 1996.
Todd, R. Larry. Mendelssohn: A Life in Music. New York: Oxford University Press, 2004.
——. Mendelssohn: “The Hebrides” and Other Overtures. Cambridge: Cambridge University Press, 1993.
Todd, R. Larry, ed. Mendelssohn and His World. Princeton: Princeton University Press, 1991.
Werner, Eric. Mendelssohn: A New Image of the Composer and His Age. New York: Free Press of Glencoe, 1963.
Youens, Susan. Retracing a Winter's Journey: Schubert's Winterreise. Ithaca: Cornell University Press, 1991.
——. Schubert: Die schöne Müllerin. Cambridge: Cambridge University Press, 1992.
Youens, Susan. Schubert's Late Lieder: Beyond the Song-Cycles. Cambridge: Cambridge University Press, 2002.
——. Schubert, Müller, and Die schöne Müllerin. Cambridge: Cambridge University Press, 1997.
——. Schubert's Poets and the Making of Lieder. Cambridge: Cambridge University Press, 1996.
Chapter 4 Nations, States, and Peoples
Abraham, Gerald. The Tradition of Western Music. Berkeley and Los Angeles: University of California Press, 1974.
Becker, Heinz, and Gudrun Becker. Meyerbeer: A Life in Letters. London: A. & C. Black, 1989.
Brown, David. Glinka: A Biographical and Critical Study. London: Oxford University Press, 1974.
Charlton, David, ed. The Cambridge Companion to Grand Opera. Cambridge: Cambridge University Press, 2003.
Crosten, William. French Grand Opera: An Art and a Business. New York: Columbia University Press, 1948.
Fulcher, Jane. The Nation's Image: French Grand Opera as Politics and Politicized Art. Cambridge: Cambridge University Press, 1987.
Gerhard, Anselm. The Urbanization of Opera: Music Theater in Paris in the Nineteenth Century, trans. Mary Whittall. Chicago: University of Chicago Press, 1998.
Glinka, Mikhail Ivanovich. Memoirs, trans. Richard B. Mudge. Norman: University of Oklahoma Press, 1963.
Hallman, Diana R. Opera, Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Halévy's “La Juive.” Cambridge: Cambridge University Press, 2002.
Kemp, Ian. Hector Berlioz: Les Troyens. Cambridge: Cambridge University Press, 1988.
Pendle, Karin. Eugène Scribe and French Grand Opera of the Nineteenth Century. Ann Arbor, Mich.: UMI Research Press, 1979.
Ridenour, Robert C. Nationalism, Modernism and Personal Rivalry in Nineteenth-Century Russian Music. Ann Arbor, Mich.: UMI Research Press, 1977.
Swan, Alfred J. Russian Music and Its Sources in Chant and Folk Song. New York: Norton, 1973.
Taruskin, Richard. Opera and Drama in Russia. Ann Arbor, Mich.: UMI Research Press, 1981.
Warrack, John. Carl Maria von Weber. 2nd ed., Cambridge: Cambridge University Press, 1976.
Chapter 5 Virtuosos
Allsobrook, David Ian. Liszt: My Travelling Circus Life. Carbondale: Southern Illinois University Press, 1991.
Burger, Ernst. Franz Liszt: A Chronicle of His Life in Pictures and Documents. Princeton: Princeton University Press, 1989.
Courcy, Geraldine I. C. de. Paganini, the Genoese. Norman: University of Oklahoma Press, 1957.
La Mara [Ida Marie Lipsius], ed. Letters of Franz Liszt. 2 vols. New York: Haskell House, 1968.
Merrick, Paul. Revolution and Religion in the Music of Liszt. Cambridge: Cambridge University Press, 1987.
Metzner, Paul. Crescendo of the Virtuoso: Spectacle, Skill, and Self-Promotion in Paris during the Age of Revolution. Berkeley and Los Angeles: University of California Press, 1998.
Pulver, Jeffrey. Paganini, the Romantic Virtuoso. London: H. Joseph, 1936.
Walker, Alan. Franz Liszt: The Virtuoso Years, 1811–1847. New York: Random House, 1983.
Watson, Derek. Liszt. London: J. M. Dent, 1983.
Williams, Adrian, ed. Portrait of Liszt by Himself and His Contemporaries. London: Oxford University Press, 1990.
Williams, Adrian, ed. and trans. Franz Liszt: Selected Letters. Oxford: Oxford University Press, 1999.
Chapter 6 Critics
Barzun, Jacques. Hector Berlioz and the Romantic Century. 3rd ed., New York: Columbia University Press, 1969.
Berlioz, Hector. The Art of Music and Other Essays (A Travers Chants), trans. Elizabeth Csicsery-Rónay. Bloomington: Indiana University Press, 1994.
——. The Conductor: The Theory of His Art (anonymous translation). Temecula, Calif.: Best Books, 2001.
——. Evenings in the Orchestra, trans. C. R. Fortescue. Baltimore: Penguin Books, 1963.
——. Memoirs, trans. David Cairns. 3rd ed., New York: Random House, 2002.
——. A Selection from His Letters, ed. Humphrey Searle. New York: Vienna House, 1973.
Cairns, David. Berlioz. 2 vols. Berkeley and Los Angeles: University of California Press, 2000.
Carse, Adam. The Orchestra from Beethoven to Berlioz. Cambridge: Cambridge University Press, 1948.
Chissell, Joan. Clara Schumann: A Dedicated Spirit. New York: Taplinger, 1983.
Cone, Edward T. Hector Berlioz: Fantastic Symphony. Norton Critical Scores. New York: Norton, 1971.
Daverio, John. Robert Schumann: Herald of a “New Poetic Age.” New York: Oxford University Press, 1997.
Holoman, D. Kern. Berlioz. Cambridge: Harvard University Press, 1989.
Komar, Arthur, ed. Schumann: Dichterliebe. Norton Critical Scores. New York: Norton, 1971.
Macdonald, Hugh. Berlioz Orchestral Music. London: British Broadcasting Corporation, 1969.
Macdonald, Hugh, ed. Selected Letters of Berlioz. London: Faber and Faber, 1995.
Marston, Nicholas. Schumann: Fantasie, op. 17. Cambridge: Cambridge University Press, 1992.
Murphy, Kerry: Hector Berlioz and the Development of French Music Criticism. Ann Arbor, Mich.: UMI Research Press, 1988.
Ostwald, Peter. Schumann: The Inner Voices of a Musical Genius. Boston: Northeastern University Press, 1985.
Plantinga, Leon. Schumann as Critic. New Haven: Yale University Press, 1967.
Pleasants, Henry, ed. The Musical World of Robert Schumann. New York: St. Martin's Press, 1965.
Reich, Nancy B. Clara Schumann. Rev. ed., Ithaca: Cornell University Press, 2001.
Rushton, Julian. Berlioz: Roméo et Juliette. Cambridge: Cambridge University Press, 1994.
——. The Musical Language of Berlioz. Cambridge: Cambridge University Press, 1983.
Sams, Eric. The Songs of Robert Schumann. 2nd ed., London: Methuen, 1975.
Schumann, Robert. On Music and Musicians, ed. Konrad Wolff. New York: McGraw Hill, 1964.
Todd, R. Larry, ed. Schumann and His World. Princeton: Princeton University Press, 1994.
Walker, Alan, ed. Robert Schumann: The Man and His Music. London: Barrie & Jenkins, 1972.
Chapter 7 Self and Other
Branson, David. John Field and Chopin. New York: St. Martin's Press, 1972.
Curtiss, Mina. Bizet and His World. New York: Vienna House, 1974.
Dean, Winton. Bizet. 3rd ed., London: J. M. Dent, 1975.
Dianin, Sergei Alexandrovich. Borodin, trans. Robert Lord. Oxford: Oxford University Press, 1963.
Eigeldinger, Jean-Jacques. Chopin: Pianist and Teacher, trans. N. Shohet, K. Osostrowicz, and R. Howat. 3rd ed., Cambridge: Cambridge University Press, 1986.
Gottschalk, Louis Moreau. Notes of a Pianist, ed. Jeanne Behrend. New York: Da Capo Press, 1979.
Hagan, Dorothy Veinus. Félicien David, 1810–1876: A Composer and a Cause. Syracuse, N.Y.: Syracuse University Press, 1985.
Higgins, Thomas. Frederic Chopin: Preludes, opus 28: An Authoritative Score, Historical Background, Analysis, Views and Comments. Norton Critical Scores. New York: Norton, 1973.
John, Nicholas. Georges Bizet: Carmen. English National Opera Guide. London, 1982.
Kallberg, Jeffrey. Chopin at the Boundaries: Sex, History, and Musical Genre. Cambridge: Harvard University Press, 1996.
Locke, Ralph P. Music, Musicians, and the Saint-Simonians. Chicago: University of Chicago Press, 1986.
Long, E. R. A History of the Therapy of Tuberculosis and the Case of Frederic Chopin. Lawrence: University of Kansas Press, 1956.
McClary, Susan. Georges Bizet: Carmen. Cambridge: Cambridge University Press, 1992.
Parakilas, James. Ballads without Words: Chopin and the Tradition of the Instrumental Ballade. Portland, Ore.: Amadeus Press, 1992.
Rink, John. Chopin: The Piano Concertos. Cambridge: Cambridge University Press, 1997.
Samson, Jim. Chopin. Oxford and New York: Oxford University Press, 1996.
——. Chopin: The Four Ballades. Cambridge: Cambridge University Press, 1992.
Samson, Jim, ed. The Cambridge Companion to Chopin. Cambridge: Cambridge University Press, 1992.
Starr, S. Frederick. Bamboula! The Life and Times of Louis Moreau Gottschalk. New York: Oxford University Press, 1994.
Walker, Alan. The Chopin Companion. London: Barrie and Rockliff, 1973.
Chapter 8 Midcentury
Dahlhaus, Carl. The Idea of Absolute Music, trans. Roger Lustig. Chicago: University of Chicago Press, 1989.
——. Realism in Nineteenth-Century Music, trans. Mary Whittall. Cambridge: Cambridge University Press, 1982.
Hamilton, Kenneth. Liszt: Sonata in B Minor. Cambridge: Cambridge University Press, 1996.
Hanslick, Eduard. On the Musically Beautiful, trans. Geoffrey Payzant. Indianapolis: Hackett Publishing, 1986.
Hueffer, Francis, ed. and trans. Correspondence of Wagner and Liszt. 2 vols. New York: Vienna House, 1973.
Johns, Kathryn. The Symphonic Poems of Franz Liszt. Stuyvesant, N.Y.: Pendragon Press, 1997.
Saffle, Michael. Liszt in Germany, 1840–1845: A Study in Sources, Documents, and the History of Reception. Stuyvesant, N.Y.: Pendragon Press, 1994.
Walker, Alan. Franz Liszt: The Final Years, 1861–1886. Ithaca: Cornell University Press, 1997.
——. Franz Liszt: The Weimar Years, 1848–1861. Ithaca: Cornell University Press, 1993.
Chapter 9 Slavs as Subjects and Citizens
Abraham, Gerald. Essays on Russian and East European Music. Oxford: Oxford University Press, 1985.
——. On Russian Music. London: William Reeves, 1939.
——. Slavonic and Romantic Music. New York: St. Martin's Press, 1968.
——. Studies in Russian Music. London: William Reeves, 1936.
Asafyev, Boris. Russian Music from the Beginning of the Nineteenth Century, trans. Alfred J. Swan. Ann Arbor: University of Michigan Press, 1953.
Bowen, Catherine Drinker. Free Artist: The Story of Anton and Nicholas Rubinstein. Boston: Little, Brown and Co., 1939.
Calvocoressi, Michel D. and Gerald Abraham. Masters of Russian Music. New York: Tudor Publishing Co., 1944.
Clapham, John. Smetana. London: J. M. Dent, 1972.
Garden, Edward. Balakirev: A Critical Study of His Life and Music. London: Faber and Faber, 1967.
Large, Brian. Smetana. London: Duckworth, 1970.
Rimsky-Korsakov, Nikolai. My Musical Life (1909), trans. Judah A. Joffe. London: Eulenburg Books, 1974.
Stasov, Vladimir Vasilievich. Selected Essays on Music, trans. Florence Jonas. New York: Praeger, 1968.
Taruskin, Richard. Defining Russia Musically: Historical and Hermeneutical Essays. Princeton: Princeton University Press, 1997.
Tyrrell, John. Czech Opera. Cambridge: Cambridge University Press, 1988.
Chapter 10 Deeds of Music Made Visible (Class of 1813, I)
Abbate, Carolyn. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton: Princeton University Press, 1991.
Bailey, Robert, ed. Richard Wagner: Prelude and Transfiguration from “Tristan und Isolde.” Norton Critical Scores. New York: Norton, 1985.
Barth, Herbert, Dietrich Mack, and Egon Voss. Wagner: A Documentary Study. New York: Oxford University Press, 1975.
Barzun, Jacques. Darwin, Marx, Wagner. Boston: Little, Brown, 1941.
Beckett, Lucy. Richard Wagner: Parsifal. Cambridge: Cambridge University Press, 1981.
Dahlhaus, Carl. Richard Wagner's Music Dramas, trans. Mary Whittall. Cambridge: Cambridge University Press, 1979.
Deathridge, John, P. Wapnewski, and U. Müller, eds. The Wagner Handbook. Cambridge: Harvard University Press, 1991.
Donington, Robert. Wagner's ‘Ring’ and Its Symbols: The Music and the Myth. Rev. ed., New York: St. Martin's Press, 1974.
Grey, Thomas S. Wagner's Musical Prose: Texts and Contexts. Cambridge: Cambridge University Press, 1995.
Hartford, Robert, ed. Bayreuth: The Early Years. Cambridge: Cambridge University Press, 1980.
Large, David C., and William Weber, eds. Wagnerism in European Culture and Politics. Ithaca: Cornell University Press, 1984.
Laudon, Robert T. Sources of the Wagnerian Synthesis: A Study of the Franco-German Tradition in the Nineteenth Century Opera. Munich and Salzburg: Katzbichler, 1979.
Magee, Bryan. Aspects of Wagner. New York: Stein and Day, 1969.
Millington, Barry. Wagner. Rev. ed., Princeton: Princeton University Press, 1992.
——. The Wagner Compendium: A Guide to Wagner's Life and Music. London: Thames and Hudson, 2001.
Nietzsche, Friedrich. The Birth of Tragedy and The Case of Wagner, trans. Walter Kaufmann. New York: Vintage Books, 1967.
Sabor, Rudolph. Richard Wagner, Der Ring des Nibelungen: A Companion. 5 vols. London: Phaidon Press, 1997.
Shaw, George Bernard. The Perfect Wagnerite: A Commentary on the Nibelung's Ring (1898); in Shaw, Major Critical Essays. London: Penguin, 1986.
Spencer, Stewart, and Barry Millington, ed. Selected Letters of Richard Wagner. New York: Norton, 1988.
Spotts, Frederic. Bayreuth: A History of the Wagner Festival. New Haven: Yale University Press, 1994.
Wagner, Richard. My Life, trans. Andrew Gray, ed. Mary Whittall. New York: Cambridge University Press, 1983.
——. Wagner on Music and Drama: A Compendium of Richard Wagner's Prose Works, ed. Albert Goldman and Evert Sprinchorn, trans. William Ashton Ellis. New York: Dutton, 1964. Reprint, New York: Da Capo Press, 1981.
Warrack, John. Richard Wagner: Die Meistersinger von Nürnberg. Cambridge: Cambridge University Press, 1994.
Weiner, Marc A. Richard Wagner and the Anti-Semitic Imagination. Lincoln: University of Nebraska Press, 1995.
Westernhagen, Curt. The Forging of the ‘Ring’: Richard Wagner's Composition Sketches for Der Ring des Nibelungen, trans. Arnold and Mary Whittall. Cambridge: Cambridge University Press, 1976.
Zimmerman, Elliott. The First Hundred Years of Wagner's Tristan. New York: Columbia University Press, 1964.
Chapter 11 Artist, Politician, Farmer (Class of 1813, II)
Budden, Julian. The Operas of Verdi. 3 vols. London: Oxford University Press, 1973–81.
Busch, Hans. Verdi's Aida: The History of an Opera in Letters and Documents. Minneapolis: University of Minnesota Press, 1978.
——. Verdi's Falstaff in Letters and Contemporary Reviews. Bloomington: Indiana University Press, 1997.
——. Verdi's ‘Otello’ and ‘Simon Boccanegra’ (revised version) in Letters and Documents. Oxford: Oxford University Press, 1988.
Conati, Marcello, ed. Encounters with Verdi, trans. Richard Stokes. Ithaca: Cornell University Press, 1984.
Hepokoski, James. Giuseppe Verdi: Falstaff Cambridge: Cambridge University Press, 1983.
——. Giuseppe Verdi: Otello. Cambridge: Cambridge University Press, 1987.
John, Nicholas, ed. Falstaff. English National Opera Guides. New York: Riverrun Press, 1982.
——. Otello. English National Opera Guides. New York: Riverrun Press, 1981.
——. Rigoletto. English National Opera Guides. New York: Riverrun Press, 1982.
——. La Traviata. English National Opera Guides. New York: Riverrun Press, 1981.
——. Il Trovatore. English National Opera Guides. New York: Riverrun Press, 1983.
Kimbell, David. Verdi in the Age of Italian Romanticism. Cambridge: Cambridge University Press, 1981.
Medici, M., and M. Conati. The Verdi-Boito Correspondence, ed. William Weaver. Chicago: University of Chicago Press, 1994
Osborne, Charles. Verdi: A Life in the Theatre. New York: Knopf, 1987.
Osborne, Charles, ed. Letters of Giuseppe Verdi. London: Victor Gollancz, 1971.
Parker, Roger. ‘Arpa d'or’: The Verdian Patriotic Chorus in the 1840s. Parma: Istituto Nazionale di Studi Verdiani, 1998.
——. Leonora's Last Act: Essays in Verdian Discourse. Princeton: Princeton University Press, 1997.
Phillips-Matz, Mary Jane. Verdi: A Biography. Oxford: Oxford University Press, 1993.
Weaver, William. Verdi: A Documentary Study. London: Thames and Hudson, 1977.
Weaver, William, and Martin Chusid, eds. The Verdi Companion. New York: Norton, 1979.
Werfel, Franz, and Paul Stefan. Verdi: The Man in His Letters, trans. Edward Downes. New York: Vienna House, 1973.
Chapter 12 Cutting Things Down to Size
Ashbrook, William. The Complete Operas of Puccini. Rev. ed., Oxford: Oxford University Press, 1985.
Ashbrook, William, and Harold Powers. Puccini's Turandot: The End of the Great Tradition. Princeton: Princeton University Press, 1991.
Brown, Malcolm H., ed. Musorgsky: In Memoriam, 1881–1981. Ann Arbor, Mich.: UMI Research Press, 1982.
Budden, Julian. Puccini: His Life and Works. New York: Oxford University Press, 2002.
Carner, Mosco. Giacomo Puccini: Tosca. Cambridge: Cambridge University Press, 1985.
——. Puccini: A Critical Biography. 3rd ed., London: Holmes & Meier, 1992.
Crittenden, Camille. Johann Strauss and Vienna: Operetta and the Politics of Popular Culture. Cambridge: Cambridge University Press, 2000.
Emerson, Caryl. The Life of Musorgsky. Cambridge: Cambridge University Press, 1999.
Emerson, Caryl, and Robert W. Oldani. Modest Musorgsky and Boris Godunov: Myths, Realities, Reconsiderations. Cambridge: Cambridge University Press, 1994.
Faris, Alex. Jacques Offenbach. Boston: Faber and Faber, 1980.
Gartenberg, Egon. Johann Strauss: The End of an Era. University Park: Pennsylvania State University Press, 1974.
Girardi, Michele. Puccini: His International Art, trans. Laura Basini. Chicago: University of Chicago Press, 2000.
Groos, Arhur, and Roger Parker, eds. Giacomo Puccini: La Bohème. Cambridge: Cambridge University Press, 1986.
Harding, James. Folies deParis: The Rise and Fall of French Operetta. London: Chappell, 1979.
——. Gounod. New York: Stein and Day, 1973.
——. Jacques Offenbach: A Biography. New York: Riverrun Press, 1980.
——. Massenet. London: J. M. Dent, 1970.
Huebner, Steven. The Operas of Charles Gounod. Oxford: Oxford University Press, 1990.
Hughes, Gervase. Composers of Operetta. London: Macmillan, 1962.
Jacobs, Arthur. Arthur Sullivan: A Victorian Musician. Oxford: Oxford University Press, 1984.
John, Nicholas, ed. Puccini: Madama Butterfly. English National Opera Guides. New York: Riverrun Press, 1984.
——. Tchaikovsky: Eugene Onegin. English National Opera Guides. New York: Riverrun Press, 1988.
Kemp, Peter. The Strauss Family: Portrait of a Musical Dynasty. 2nd ed., Tunbridge Wells: Seven Hills Books, 1989.
Leyda, Jay, and Sergei Bertensson, eds. The Musorgsky Reader: A Life of M. P. Musorgsky in Letters and Documents. New York: Norton, 1947.
Nicolaisen, Jay R. Italian Opera in Transition, 1871–1893. Ann Arbor, Mich.: UMI Research Press, 1980.
Orlova, Alexandra, ed. Musorgsky Remembered. Bloomington: Indiana University Press, 1991.
Phillips-Matz, Mary Jane. Puccini: A Biography. Boston: Northeastern University Press, 2002.
Puccini, Simonetta, and William Weaver. The Puccini Companion. Rev. ed., New York: Norton, 2000.
Taruskin, Richard. Musorgsky: Eight Essays and an Epilogue. Princeton: Princeton University Press, 1993.
Walsh, Thomas J. Second-Empire Opera: The Théâtre-Lyrique, Paris, 1851–1870. London: John Calder, 1981.
Wilson, Conrad. Puccini. London: Phaidon Press, 1997.
Chapter 13 The Return of the Symphony
Avins, Styra, ed. Johannes Brahms: Life and Letters. New York: Oxford University Press, 1997.
Bonds, Mark Evan. After Beethoven: Imperatives of Originality in the Symphony. Cambridge: Harvard University Press, 1996.
Brodbeck, David. Brahms: Symphony No. 1. Cambridge: Cambridge University Press, 1997.
Frisch, Walter. Brahms and the Principle of Developing Variation. Berkeley and Los Angeles: University of California Press, 1984.
——. Brahms: The Four Symphonies. New York: Schirmer, 1996.
Frisch, Walter, ed. Brahms and His World. Princeton: Princeton University Press, 1990.
Gál, Hans. Schumann Orchestral Music. BBC Music Guides. Seattle: University of Washington Press, 1979.
Geiringer, Karl. Brahms: His Life and Work. 3rd ed., New York: Da Capo Press, 1984.
Hancock, Virginia L. Brahms's Choral Compositions and His Library of Early Music. Ann Arbor, Mich.: UMI Research Press, 1983.
Hull, Kenneth, ed. Johannes Brahms Symphony No. 4 in E Minor, op. 98. Norton Critical Scores. New York: Norton, 2000.
Keys, Ivor. Brahms Chamber Music. Seattle: University of Washington Press, 1974.
Knapp, Raymond. Brahms and the Challenge of the Symphony. Stuyvesant, N.Y.: Pendragon, 1997.
Musgrave, Michael. Brahms: A German Requiem. Cambridge: Cambridge University Press, 1996.
——. A Brahms Reader. New Haven: Yale University Press, 2000.
Swafford, Jan. Johannes Brahms. New York: Knopf, 1997.
Chapter 14 The Symphony Goes (Inter)National
Abraham, Gerald, ed. The Music of Tchaikovsky. 2nd ed., New York: Norton, 1974.
Beckerman, Michael. New Worlds of Dvořák. New York: Norton, 2003.
Beckerman, Michael, ed. Dvořák and His World. Princeton: Princeton University Press, 1993.
Beveridge, David. Rethinking Dvořák: Views from Five Countries. Oxford: Oxford University Press, 1996.
Clapham, John. Antonín Dvořák: Musician and Craftsman. New York: St. Martin's Press, 1969.
——. Dvořák. New York: Norton, 1979.
Davies, Laurence. César Franck and His Circle. London: Barrie & Jenkins, 1970.
——. Franck. London: J. M. Dent, 1973.
D'Indy, Vincent. César Franck (1914). Reprint, New York: Dover Publications, 1965.
Doernberg, Erwin. The Life and Symphonies of Anton Bruckner. London: Barrie and Rockliff, 1960.
Garden, Edward, and Nigel Gotteri, eds. “To My Best Friend”: Correspondence between Tchaikovsky and Nadezhda von Meck, 1876–1878. Oxford: Clarendon Press, 1993.
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- Citation (MLA):
- "." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 27 Jan. 2021. <https://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-bibliographyGroup-001.xml>.
- Citation (APA):
- (n.d.). . In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 27 Jan. 2021, from https://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-bibliographyGroup-001.xml
- Citation (Chicago):
- "." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 27 Jan. 2021, from https://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-bibliographyGroup-001.xml