ADDRESSING THRONGS
fig. 10-9 Anonymous portrait of Haydn painted in 1795, showing the score of the “Surprise” Symphony open on the piano.
Every point made in the foregoing paragraph applies fully to the Symphony in G major (no. 94in the standard numbering), the one first given in London on 23 March 1792. Everything about it exemplifies the trend toward big public utterance. Most conspicuously, the London symphonies augment the sheer performing forces so that the normal Haydn orchestra now includes, as standard operating equipment, pairs of flutes, oboes, bassoons, trumpets, and horns, as well as kettledrums. A close look at the first movement of No. 94, moreover, will reveal another aspect of “Grand Overture” style—the rhetorical techniques by which Haydn now addressed large crowds. Again, having the score at hand is highly recommended.
- Citation (MLA):
- Richard Taruskin. "Chapter 10 Instrumental Music Lifts Off." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 12 Oct. 2024. <https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-10012.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 10 Instrumental Music Lifts Off. In Oxford University Press, Music In The Seventeenth And Eighteenth Centuries. New York, USA. Retrieved 12 Oct. 2024, from https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-10012.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 10 Instrumental Music Lifts Off." In Music In The Seventeenth And Eighteenth Centuries, Oxford University Press. (New York, USA, n.d.). Retrieved 12 Oct. 2024, from https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-10012.xml
