“NATURE”
But whence this cult of the “natural”? And where, once and for all, did the style we have been tracking in this chapter originate? We still have not traced this very important river to its source, for all the hints and suggestions thrown out along the way. Far from solving the historical problem (the problem of the “black hole”) with which we launched this chapter, all we have been doing is restating it over and over again, da capo, with variations and embellishments.
- Citation (MLA):
- Richard Taruskin. "Chapter 8 The Comic Style." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 21 Sep. 2023. <https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-08006.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 8 The Comic Style. In Oxford University Press, Music In The Seventeenth And Eighteenth Centuries. New York, USA. Retrieved 21 Sep. 2023, from https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-08006.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 8 The Comic Style." In Music In The Seventeenth And Eighteenth Centuries, Oxford University Press. (New York, USA, n.d.). Retrieved 21 Sep. 2023, from https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-08006.xml
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