THE LONDON BACH

Chapter:

CHAPTER 8 The Comic Style

Source:

MUSIC IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES

Author(s):

Richard Taruskin

To see another side—a more direct and “purely musical” side—of opera’s stylistic impact on instrumental music, we need to examine the work of a composer who wrote both operas and sonatas. And that means examining the work of one more son of JS Bach—the youngest one, Johann (or John) Christian (1735–82, henceforth “JC”), the half brother of WF and CPE, who by the end of his life was far and away the most famous of the eighteenth-century Bachs.

Citation (MLA):

Richard Taruskin. "Chapter 8 The Comic Style." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 22 May. 2019. <https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-08004.xml>.

Citation (APA):

Taruskin, R. (n.d.). Chapter 8 The Comic Style. In Oxford University Press, Music In The Seventeenth And Eighteenth Centuries. New York, USA. Retrieved 22 May. 2019, from https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-08004.xml

Citation (Chicago):

Richard Taruskin. "Chapter 8 The Comic Style." In Music In The Seventeenth And Eighteenth Centuries, Oxford University Press. (New York, USA, n.d.). Retrieved 22 May. 2019, from https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-08004.xml