THE YOUNGER BACHS
One very dramatic way of pointing up the problem and suggesting solutions to it (even though it means staying for a while with the Germans) would be to begin with a close look at the work of Bach’s sons, starting with the eldest, Wilhelm Friedemann (1710–84).
- Citation (MLA):
- Richard Taruskin. "Chapter 8 The Comic Style." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 21 Jan. 2025. <https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-08002.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 8 The Comic Style. In Oxford University Press, Music In The Seventeenth And Eighteenth Centuries. New York, USA. Retrieved 21 Jan. 2025, from https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-08002.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 8 The Comic Style." In Music In The Seventeenth And Eighteenth Centuries, Oxford University Press. (New York, USA, n.d.). Retrieved 21 Jan. 2025, from https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-08002.xml
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