ROOTS (DOMESTIC)
It was as “predefined” as that because J. S. Bach happened to come from an enormous clan or dynasty of Lutheran church musicians dating back to the sixteenth century. So long and firmly associated was the family with the profession they plied that in parts of eastern Germany the word “Bach” (which normally means “brook” in German) was slang for musician. The New Grove Dictionary of Music and Musicians lists no fewer than eighty-five musical Bachs, from Veit Bach (ca. 1555–1619), a baker from Pressburg (now Bratislava in Slovakia) who enjoyed a local reputation for proficiency on the cittern (a plectrum-plucked stringed instrument related to the lute and the mandolin), down ten generations to Johann Philipp Bach (1752–1846), court organist to the Duke of Meiningen.
- Citation (MLA):
- Richard Taruskin. "Chapter 6 Class of 1685 (I)." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 7 Dec. 2019. <https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-06003.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 6 Class of 1685 (I). In Oxford University Press, Music In The Seventeenth And Eighteenth Centuries. New York, USA. Retrieved 7 Dec. 2019, from https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-06003.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 6 Class of 1685 (I)." In Music In The Seventeenth And Eighteenth Centuries, Oxford University Press. (New York, USA, n.d.). Retrieved 7 Dec. 2019, from https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-06003.xml
