SCARLATTI
The guiding genius behind the Neapolitan ascendency was a Palermo-born composer named Alessandro Scarlatti (1660–1725), who dominated the Neapolitan musical scene from 1683 to 1702, and again (after Naples had passed from Spanish to Austrian rule) from 1709 to 1721. His career was international, or at least pan-Italian; he had important stints of service in Rome, in Florence, and elsewhere. But the bulk of his voluminous output of operas (114 by his own count) and cantatas (more than 800 by modern scholarly count) was written for Naples, where in 1696 the theater was expanded and newly outfitted just for him by the viceroy, the Duke of Medinaceli, who was a great melomaniaco (as the Italians called an opera fan). The inheritor and transformer of the Venetian tradition, Scarlatti could be looked upon as the culminating figure of opera’s first century. By reshaping and standardizing the legacy he inherited, he laid the foundation for the next century of operatic development, especially as regards what came to be known as “serious” opera (opera seria).
- Citation (MLA):
- Richard Taruskin. "Chapter 4 Class and Classicism." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 21 Jan. 2020. <https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-04002.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 4 Class and Classicism. In Oxford University Press, Music In The Seventeenth And Eighteenth Centuries. New York, USA. Retrieved 21 Jan. 2020, from https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-04002.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 4 Class and Classicism." In Music In The Seventeenth And Eighteenth Centuries, Oxford University Press. (New York, USA, n.d.). Retrieved 21 Jan. 2020, from https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-04002.xml
