WOMEN IN MUSIC: A HISTORIANS’ DILEMMA
Because the history of European and Euro-American art music is the story of a literate tradition—that is, to a very great extent the story of musical texts and their making—women are seriously but inevitably underrepresented in it. Even this book, despite its strenuously “foregrounded” efforts not to forget the oral side of musical traditions or neglect the effects of performance, will necessarily fail to reflect the full extent of women’s contribution, since no matter what we may assume or conjecture, the historical sources on which the narrative is necessarily based consist overwhelmingly of musical texts.
- Citation (MLA):
- Richard Taruskin. "Chapter 2 Fat Times and Lean." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 8 Dec. 2024. <https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-02011.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 2 Fat Times and Lean. In Oxford University Press, Music In The Seventeenth And Eighteenth Centuries. New York, USA. Retrieved 8 Dec. 2024, from https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-02011.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 2 Fat Times and Lean." In Music In The Seventeenth And Eighteenth Centuries, Oxford University Press. (New York, USA, n.d.). Retrieved 8 Dec. 2024, from https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-02011.xml
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