CARISSIMI: ORATORIO AND CANTATA
The chief Italian composer of oratorios in the time of Schütz was Giacomo Carissimi (1605–74), a Roman priest who served as organist and choirmaster at the Jesuit German College (Collegio Germanico) from 1629 until his death. His fourteen surviving works in the genre probably represent only a fraction of the biblical narratives he composed, beginning in the 1640s, for Friday afternoon performances during Lent at the college and at other Roman institutions, notably the Oratorio del Santissimo Crocifisso (Oratory of the Most Holy Crucifix), which lent its name to the genre. His many foreign pupils at the College included Christoph Bernhard, who had already trained with Schütz, and the French composer Marc-Antoine Charpentier, who brought the practice of setting dramatic narratives from the Latin bible back with him to his native country.
- Citation (MLA):
- Richard Taruskin. "Chapter 2 Fat Times and Lean." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 17 Jan. 2020. <https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-02010.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 2 Fat Times and Lean. In Oxford University Press, Music In The Seventeenth And Eighteenth Centuries. New York, USA. Retrieved 17 Jan. 2020, from https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-02010.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 2 Fat Times and Lean." In Music In The Seventeenth And Eighteenth Centuries, Oxford University Press. (New York, USA, n.d.). Retrieved 17 Jan. 2020, from https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-02010.xml
