A CREATIVE MICROCOSM

Chapter:

CHAPTER 2 Fat Times and Lean

Source:

MUSIC IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES

Author(s):

Richard Taruskin

The “high” or courtly arts managed to hang on through their vicissitudes, though not without crucial adaptive change. In music, that process of adaptation may be viewed with exceptional clarity thanks to the presence on the German scene of a composer of irrepressible genius, whose long career, mirroring in an intense creative microcosm the general fate and progress of his art, furnishes us with an ideal prism. His name was Henrich (or more commonly, Heinrich) Schütz. Despite the conditions in which he was forced to work, he became the first internationally celebrated German master.

Citation (MLA):

Richard Taruskin. "Chapter 2 Fat Times and Lean." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 15 Mar. 2025. <https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-02007.xml>.

Citation (APA):

Taruskin, R. (n.d.). Chapter 2 Fat Times and Lean. In Oxford University Press, Music In The Seventeenth And Eighteenth Centuries. New York, USA. Retrieved 15 Mar. 2025, from https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-02007.xml

Citation (Chicago):

Richard Taruskin. "Chapter 2 Fat Times and Lean." In Music In The Seventeenth And Eighteenth Centuries, Oxford University Press. (New York, USA, n.d.). Retrieved 15 Mar. 2025, from https://www.oxfordwesternmusic.com/view/Volume2/actrade-9780195384826-div1-02007.xml