THE RESPONSE
That response took a turn that could never have been predicted at mid-century, when all that the leading Catholic bishops seemed to want was an intelligible liturgy. That trend, the one associated with Palestrina, could be interpreted as an attempt to meet the Lutheran reform musically on its own ground—grounds of modesty. It did not threaten the ars perfecta; on the contrary, it sought to amend and thus preserve it.
- Citation (MLA):
- Richard Taruskin. "Chapter 18 Reformations and Counter Reformations." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 21 Jan. 2025. <https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-018003.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 18 Reformations and Counter Reformations. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 21 Jan. 2025, from https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-018003.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 18 Reformations and Counter Reformations." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 21 Jan. 2025, from https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-018003.xml
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