CANTUS FIRMUS AS TROPE OF GLORY

Chapter:

CHAPTER 12 Emblems and Dynasties

Source:

MUSIC FROM THE EARLIEST NOTATIONS TO THE SIXTEENTH CENTURY

Author(s):

Richard Taruskin

But first, its history: one that, like so much in the history of fifteenth-century music, begins with the English. And it begins at the moment when the device of paired movements based on a common cantus firmus tenor, already found in the Old Hall manuscript, was expanded to encompass all the major components of the Ordinary.

Citation (MLA):

Richard Taruskin. "Chapter 12 Emblems and Dynasties." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 14 Apr. 2021. <https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-012004.xml>.

Citation (APA):

Taruskin, R. (n.d.). Chapter 12 Emblems and Dynasties. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 14 Apr. 2021, from https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-012004.xml

Citation (Chicago):

Richard Taruskin. "Chapter 12 Emblems and Dynasties." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 14 Apr. 2021, from https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-012004.xml