THE CYCLIC MASS
The major genre on which all these composers lavished their skills, and the chief vehicle for their fame, was a genre that did not exist before the fifteenth century. It may be fairly regarded as the emblem of the century’s musical attainments, for it was a genre of unprecedented altitude.
- Citation (MLA):
- Richard Taruskin. "Chapter 12 Emblems and Dynasties." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 21 Sep. 2023. <https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-012003.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 12 Emblems and Dynasties. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 21 Sep. 2023, from https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-012003.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 12 Emblems and Dynasties." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 21 Sep. 2023, from https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-012003.xml
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