AN IMPORTANT SIDE ISSUE: PERIODIZATION
Was there a musical “Renaissance”? Was this it? To ask such questions, of course, is to answer them. If there were no problems with the term, there would be no questions to ask. The short answer to questions like these is always (because it can only be) yes and no. A fair sorting of the issues is the best we can do or hope for, one that will address not only the immediate case but also the question of periodization as broadly as it can be framed.
- Citation (MLA):
- Richard Taruskin. "Chapter 10 “A Pleasant Place”: Music of the Trecento." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 8 Dec. 2024. <https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-010008.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 10 “A Pleasant Place”: Music of the Trecento. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 8 Dec. 2024, from https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-010008.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 10 “A Pleasant Place”: Music of the Trecento." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 8 Dec. 2024, from https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-010008.xml
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