We use cookies to enhance your experience on our website. By continuing to use our website, you are agreeing to our use of cookies. You can change your cookie settings at any time. Find out more

Contents

Music from the Earliest Notations to the Sixteenth Century

THE “WILD BIRD” SONGS

Chapter:
CHAPTER 10 “A Pleasant Place”: Music of the Trecento
Source:
MUSIC FROM THE EARLIEST NOTATIONS TO THE SIXTEENTH CENTURY
Author(s):
Richard Taruskin

Jacopo da Bologna’s madrigal Oselleto salvagio (“A wild bird”), of which the first tercet is shown in Ex. 10-2a, is one of those music-about-music pieces that cast such a fascinating sidelight on the esthetics of fourteenth-century art. One also gets from it a sense of what are sometimes called “the uses of convention.”

Citation (MLA):
Richard Taruskin. "Chapter 10 “A Pleasant Place”: Music of the Trecento." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 6 Dec. 2023. <https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-010004.xml>.
Citation (APA):
Taruskin, R. (n.d.). Chapter 10 “A Pleasant Place”: Music of the Trecento. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 6 Dec. 2023, from https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-010004.xml
Citation (Chicago):
Richard Taruskin. "Chapter 10 “A Pleasant Place”: Music of the Trecento." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 6 Dec. 2023, from https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-010004.xml
Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.