Contents

Music from the Earliest Notations to the Sixteenth Century

DU FAY: THE MOTET AS MYSTICAL SUMMA

Chapter:
CHAPTER 8 Business Math, Politics, and Paradise: The Ars Nova
Source:
MUSIC FROM THE EARLIEST NOTATIONS TO THE SIXTEENTH CENTURY
Author(s):
Richard Taruskin

Guillaume Du Fay (ca. 1397–1474) lived almost exactly a century later than his namesake Guillaume de Machaut, and like Machaut he will be reintroduced in a later chapter. It is very important to consider at least one of his works right here, however, in order to appreciate the direct generic and stylistic continuity that linked Du Fay’s creative output with that of his fourteenth-century precursors.

Citation (MLA):
Richard Taruskin. "Chapter 8 Business Math, Politics, and Paradise: The Ars Nova." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 15 Mar. 2025. <https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-008015.xml>.
Citation (APA):
Taruskin, R. (n.d.). Chapter 8 Business Math, Politics, and Paradise: The Ars Nova. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 15 Mar. 2025, from https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-008015.xml
Citation (Chicago):
Richard Taruskin. "Chapter 8 Business Math, Politics, and Paradise: The Ars Nova." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 15 Mar. 2025, from https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-008015.xml
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