CONDUCTUS AT NOTRE DAME

Chapter:

CHAPTER 6 Notre Dame de Paris

Source:

MUSIC FROM THE EARLIEST NOTATIONS TO THE SIXTEENTH CENTURY

Author(s):

Richard Taruskin

The remaining polyphonic genre practiced at Notre Dame was the conductus. Its status there was far more modest than at previous monastic polyphonic centers, but well over a hundred conductus nevertheless survive, in two, three, and four voices.

Citation (MLA):

Richard Taruskin. "Chapter 6 Notre Dame de Paris." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 15 Mar. 2025. <https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-006007.xml>.

Citation (APA):

Taruskin, R. (n.d.). Chapter 6 Notre Dame de Paris. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 15 Mar. 2025, from https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-006007.xml

Citation (Chicago):

Richard Taruskin. "Chapter 6 Notre Dame de Paris." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 15 Mar. 2025, from https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-006007.xml