THE MASS AND ITS MUSIC

Chapter:

CHAPTER 1 The Curtain Goes Up

Source:

MUSIC FROM THE EARLIEST NOTATIONS TO THE SIXTEENTH CENTURY

Author(s):

Richard Taruskin

The greatest flowering of such liturgical “arias” came toward the end of the period of Gregorian oral composition, with the selection and completion of formularies—full sets of antiphons and responds—for the yearly round of Mass services.

Citation (MLA):

Richard Taruskin. "Chapter 1 The Curtain Goes Up." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 21 May. 2019. <https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-001009.xml>.

Citation (APA):

Taruskin, R. (n.d.). Chapter 1 The Curtain Goes Up. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 21 May. 2019, from https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-001009.xml

Citation (Chicago):

Richard Taruskin. "Chapter 1 The Curtain Goes Up." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 21 May. 2019, from https://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-001009.xml