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Contents

Music in the Late Twentieth Century

Art Credits

Chapter:
Source:
MUSIC IN THE LATE TWENTIETH CENTURY

  1. Figure 1-1 © CORBIS.

  2. 1-2 1931, Carnegie Institute, Mount Wilson Observatory, Pasadena, Calif. AKG Images.

  3. 1-3 Cartography by Bill Nelson.

  4. 1-4 © Karlheinz Stockhausen.

  5. 1-5 Music Division, New York Public Library for the Performing Arts, Astor, Lenox, and Tilden Foundations.

  6. 1-6 From the “Horpartitur” of Artikulation (by Ligeti, published by Schott, 1970; p. 54). © 1970 by Schott Music International, copyright renewed, all rights reserved.

  7. 2-1 Rendered by A Good Thing, Inc.

  8. 2-2 In Glenn Watkins, Soundings: Music in the Twentieth Century, Schirmer, New York, and Collier-Macmillan, London, 1988, p. 587.

  9. 2-3 Marcel Duchamp, 1917, replica 1964. Tate Gallery, London, © Tate Gallery, London, Art Resource, NY. © 2004 Artists Rights Society (ARS), New York/ADAGP, Paris/Succession Marcel Duchamp.

  10. 2-4 Image courtesy EMF Archives.

  11. 2-5a In Marc Treib, Space Calculated in Seconds: The Philips Pavilion, Le Corbusier, Edgard Varèse, Princeton University Press, Princeton, NJ, © 1996 by Marc Treib, p. 16.

  12. 2-5b Model of Philips Pavilion. In Bálint András Varga, Conversations with Iannis Xenakis, London, Faber and Faber, 1996.

  13. 2-5c Iannis Xenakis, MetastaseisB, Full Score, Boosey and Hawkes Music Publishers, London and New York, 1953–1954, mm. 309–317.

  14. 2-5d Philips Company Archives. In Marc Treib, Space Calculated in Seconds: The Philips Pavilion, Le Corbusier, Edgard Varèse, Princeton University Press, Princeton, NJ, © 1996 by Marc Treib, jacket illustration and facing p. 1.

  15. 2-6 In Scratch Music, ed. Cornelius Cardew, MIT Press, Cambridge, MA, 1972, pp. 114ff.

  16. 2-7 Luigi Nono, Ein Gespenst geht um in der Welt, 1971, manuscript.

  17. 2-08a La Monte Young, Composition 1960 #7. Copyright © La Monte Young 1963, renewed 1991. All rights reserved.

  18. 2-8b Photograph by Brigitte Hellgoth, 1976, Kölnischer Kunstverein, Cologne. AKG Images/Brigitte Hellgoth.

  19. 2-9 “December 1952,” by Earle Brown. © 1961(renewed) by Associated Music Publishers, Inc. (BMI). International Copyright secured. All Rights Reserved. Reprinted by permission.

  20. 2-10 Score page from Eric Salzman, The Nude Paper Sermon, manuscript. Collection of the author.

  21. 2-11 Sylvano Bussotti, “New Year’s Greeting,” reproduced in John Cage, Notations, Something Else Press, New York, 1969, unpaginated. © 1969 by John Cage.

  22. 2-12 Earle Brown, Available Forms I. Copyright © 1961 (Renewed) by Associated Music Publishers, Inc. (BMI). International Copyright Secured. All Rights Reserved. Reprinted by Permission.

  23. 2-13 Music Division, New York Public Library for the Performing Arts, Astor, Lenox, and Tilden Foundations.

  24. 2-14 © 1962 by C.F. Peters Corporation.

  25. 3-1 The New York Times.

  26. 3-2 Washington, D.C., January 1953, © Bettmann/ CORBIS.

  27. 3-3 Mary Ann Sullivan, Bluffton University.

  28. 3-4 Paul Sacher Foundation, Igor Stravinsky Collection, Basel.

  29. 3-5 Howard Sochurek, Moscow, August 1, 1958 (Igy Conference). Time Life Pictures/Getty Images.

  30. 4-1 Russolo, Il risveglio di una città (1914). In Glenn Watkins, Soundings: Music in the Twentieth Century, Schirmer, New York, and Collier-Macmillan, London, 1988, p. 240.

  31. 4-2 December 14, 1927, Paris, © Bettmann/CORBIS.

  32. 4-3 © Bettmann/CORBIS.

  33. 4-4 LIDO DOC INA-GRM/SIPA.

  34. 4-5 © Karlheinz Stockhausen.

  35. 4-6 Columbia-Princeton Electronic Music Studio Archives, image courtesy of Robert Moog.

  36. 4-7a Philips Company Archives.

  37. 4-7b Philips Company Archives.

  38. 5-1 Lotte Jacobi, Long Island, 1939. AKG Images.

  39. 5-2 Photograph by Angus McBean, Harvard Theatre Collection. Courtesy of the Metropolitan Opera.

  40. 5-3 San Francisco Opera, 1997. Photograph courtesy of Marty Sohl.

  41. 6-1 AKG Images/Marion Kalter.

  42. 6-2 From David Schiff, The Music of Elliott Carter, Cornell University Press, Ithaca, NY, p. 48.

  43. 7-1 National Archives.

  44. 7-2 Library of Congress, New York World-Telegram & Sun Collection.

  45. 7-3 Library of Congress, New York World-Telegram & Sun Collection.

  46. 7-4 London, February 22, 1964. © Hulton-Deutsch Collection/ CORBIS.

  47. 7-5 Bruce BecVar, 1973–1974. Metropolitan Museum of Art, Gift of Arthur N. BecVar, 1980 (1980.544).

  48. 7-6 Music Division, New York Public Library for the Performing Arts, Astor, Lenox, and Tilden Foundations.

  49. 7-7 Courtesy of BMI Archives.

  50. 8-1 Pandit Pran Nath accompanied by La Monte Young and Marian Zazeela, 1971. Photograph by Robert Adler. Copyright © Pandit Pran Nath Musical Composition Trust.

  51. 8-2 © Sabine Matthes.

  52. 8-3 Photograph by Richard Landry. In Steve Reich, Writings on Music 1965–2000, ed. and intro. Paul Hillier, Oxford University Press, Oxford and New York, 2002, pp. 30–31.

  53. 8-4 Photograph by Gian Franco Gorgoni. In Steve Reich, Writings on Music 1965–2000, ed. and intro. Paul Hillier, Oxford University Press, Oxford and New York, 2002, p. 67.

  54. 8-5 Byrd Hoffman Water Mill Foundation. Photograph: Babette Mangolte.

  55. 8-6 February 8, 1957. Library of Congress, New York World-Telegram & Sun Collection.

  56. 9-1 © Sabine Matthes.

  57. 9-2 © 1970 by C.F. Peters Corporation, New York. All rights reserved. Used by permission.

  58. 9-3 Al Ravenna, 1955. Library of Congress, New York World-Telegram & Sun Collection.

  59. 9-4 Photograph by Robin Holland, used by permission of David Del Tredici.

  60. 9-5 New York Times, photograph by Teresa Zabala.

  61. 9-6 Paul Sacher Foundation, Sofia Gubaidulina Collection, Basel.

  62. 10-1 © Bruce Davidson/Magnum Photos.

  63. 10-2 © 1981 by Edition Peters, London. All rights reserved. Used by permission.

  64. 10-3 Courtesy of BMI Archives.

  65. 10-4 Houston Grand Opera.

  66. 10-5 Photograph by Deborah Feingold. Hulton Archive by Getty Images.

  67. 10-6 From Computer Music: Synthesis, Composition, and Performance, 2nd ed., by Charles Dodge and Thomson A. Jerse, p. 331. © 1997. Reprinted with permission of Wadsworth, a division of Thomson Learning.

  68. 10-7 From IAGA Bulletin by permission of IAGA.

  69. 10-8 © Peter Menzel/www.menzelphoto.com.

  70. 10-9 Courtesy of the Metropolitan Opera.

  71. 10-10 AKG Images/Marion Kalter.

  72. 10-11 Houston Grand Opera.

Citation (MLA):
"." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 23 Nov. 2014. <http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-miscMatter-013001.xml>.
Citation (APA):
(n.d.). . In Oxford University Press, Music in the Late Twentieth Century. New York, USA. Retrieved 23 Nov. 2014, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-miscMatter-013001.xml
Citation (Chicago):
"." In Music in the Late Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 23 Nov. 2014, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-miscMatter-013001.xml