A NEW TOPICALITY
The new interest in supporting classical composition in traditional “audience” genres affected the concert hall as well as the opera house. The most spectacular case, perhaps, was that of John Corigliano's First Symphony (1989), first performed in 1990 by the Chicago Symphony Orchestra, and later, internationally, by almost 100 others. Along with its lavish orchestration (including parts for virtuoso piano and cello soloists), its rhetorical intensity, and its at times poignant use of collage, the symphony's topicality contributed to its success. A memorial to victims of the AIDS epidemic, it had four movements each dedicated to the memory of a deceased friend, and gave public expression to the composer's “feelings of loss, anger, and frustration,” in alternation with “the bittersweet nostalgia of remembering.”
- Citation (MLA):
- Richard Taruskin. "Chapter 10 Millennium's End." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 17 Jan. 2017. <http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-010018.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 10 Millennium's End. In Oxford University Press, Music in the Late Twentieth Century. New York, USA. Retrieved 17 Jan. 2017, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-010018.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 10 Millennium's End." In Music in the Late Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 17 Jan. 2017, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-010018.xml