Jean-Claude Risset (b. 1938), a French composer and mathematician, received his training under Mathews at Bell Labs between 1964 and 1969 and went on to become the first computer chef at Boulez's IRCAM (1975–79). His research specialty was the matching and manipulation of recorded instrumental and natural sounds as a way of bridging the gap between the two mutually antagonistic worlds of early electronic music as described in chapter 4: the world of musique concrète, which made collages of “real” sounds, and that of the “tape studio,” where only electronically produced sounds were used. The computer offered a way of combining the rich sonic resources of the one and the precise composerly control of the other.
- Citation (MLA):
- Richard Taruskin. "Chapter 10 Millennium's End." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 7 Feb. 2016. <http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-010011.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 10 Millennium's End. In Oxford University Press, Music in the Late Twentieth Century. New York, USA. Retrieved 7 Feb. 2016, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-010011.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 10 Millennium's End." In Music in the Late Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 7 Feb. 2016, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-010011.xml