THE ELITE PHASE
The beginning of “computer music” can be specified with greater precision than perhaps any comparable event in the history of music. It took place in Summit, New Jersey, in 1957, when Max V. Mathews (b. 1926), an engineer at Bell Telephone Laboratories, produced computer-generated musical sounds with his “transducer,” an instrument he invented that could convert audio signals into digital information that could be stored or manipulated by a computer and then reconverted into audio signals. (Its initial purpose was to simulate and recognize speech so that some of the tasks that telephone operators performed could be automated.)
- Citation (MLA):
- Richard Taruskin. "Chapter 10 Millennium's End." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 30 Mar. 2017. <http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-010010.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 10 Millennium's End. In Oxford University Press, Music in the Late Twentieth Century. New York, USA. Retrieved 30 Mar. 2017, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-010010.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 10 Millennium's End." In Music in the Late Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 30 Mar. 2017, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-010010.xml