The youngest composers working in styles and media comparable to those of the grand old men were around forty by the time Babbitt wrote his fulminations. Two of them, Brian Ferneyhough (b. 1943) and Michael Finnissy (b. 1946), were English composers associated with the Darmstadt Summer Courses, where Ferneyhough coordinated the composition program between 1984 and 1994. They formed the nucleus of a group identified with “the New Complexity,” a term coined by the Australian music theorist Richard Toop in direct and embattled reaction against the advancing tide.
- Citation (MLA):
- Richard Taruskin. "Chapter 10 Millennium's End." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 4 May. 2016. <http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-010003.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 10 Millennium's End. In Oxford University Press, Music in the Late Twentieth Century. New York, USA. Retrieved 4 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-010003.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 10 Millennium's End." In Music in the Late Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 4 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-010003.xml