A CONTRADICTION IN TERMS?
Young's most conspicuous early disciple was Terry Riley (b. 1935), the composer through whom minimalism first impinged on the consciousness of “mainstream” performers and critics and found a wide audience. A fellow graduate student at Berkeley, Riley also chafed against the forced regimen of serial composition then administered at the school. Unlike Young, he managed to complete an M.A. in 1961, but only by writing a twelve-tone composition, immediately disavowed, to satisfy the degree requirement. (Coincidentally or not, it was another string trio.)
- Citation (MLA):
- Richard Taruskin. "Chapter 8 A Harmonious Avant-Garde?." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 27 May. 2016. <http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-008005.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 8 A Harmonious Avant-Garde?. In Oxford University Press, Music in the Late Twentieth Century. New York, USA. Retrieved 27 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-008005.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 8 A Harmonious Avant-Garde?." In Music in the Late Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 27 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-008005.xml