This fusion of purviews in a single critical patchwork was inspired by rock, or rather by rock's success in overthrowing social hierarchies as expressed in music. Rock as a democratizing force had strong repercussions within all other fields of musical production, influencing all of the genres (folk, jazz, classical) that had formerly been considered alien or antithetical (in a word, superior) to the commercial pop scene. The influence of rock as a democratizing or leveling force on these other genres produced furious controversies. In particular, it inspired backlashes from those interested in insulating or protecting the “authenticity” of the non-pop genres from commercial contamination.
- Citation (MLA):
- Richard Taruskin. "Chapter 7 The Sixties." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 4 May. 2016. <http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-007006.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 7 The Sixties. In Oxford University Press, Music in the Late Twentieth Century. New York, USA. Retrieved 4 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-007006.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 7 The Sixties." In Music in the Late Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 4 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-007006.xml