As early as 1963, a very dignified English classical music critic—William Mann (1924–89), the chief reviewer for The Times of London, who had seriously studied piano and composition in his youth—surprised his readers by naming Lennon and McCartney the outstanding new composers of the year, and comparing an “Aeolian” chord progression in their song “Not a Second Time” with the heartrending ending of Mahler's Das Lied von der Erde, about the loftiest comparison a critic could make in the heyday of the Mahler revival (Ex. 7-1).
- Citation (MLA):
- Richard Taruskin. "Chapter 7 The Sixties." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 29 Apr. 2017. <http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-007004.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 7 The Sixties. In Oxford University Press, Music in the Late Twentieth Century. New York, USA. Retrieved 29 Apr. 2017, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-007004.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 7 The Sixties." In Music in the Late Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 29 Apr. 2017, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-007004.xml