FROM POPULISM TO PROBLEM SOLVING: AN AMERICAN CAREER
By the time Stravinsky and Rosen made their remarks, the view they upheld of Carter's music, and of musical value generally, accorded closely with the composer's own. But unlike them, Carter had evolved by slow degrees to the position they assumed as a given. Unlike Britten's, his development as a composer was sluggish and tortuous. The son of a wealthy lace importer, he never had to earn a living from his musical activity and was not particularly ambitious in his youth. His early training exactly paralleled Virgil Thomson's a decade earlier. From Harvard's Francophile music department he went to Paris to study for three years (1932–35) with Nadia Boulanger and came home a confirmed “neoclassicist.”
- Citation (MLA):
- Richard Taruskin. "Chapter 6 Standoff (II)." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 20 Feb. 2017. <http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-006002.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 6 Standoff (II). In Oxford University Press, Music in the Late Twentieth Century. New York, USA. Retrieved 20 Feb. 2017, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-006002.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 6 Standoff (II)." In Music in the Late Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 20 Feb. 2017, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-006002.xml