TO SERVE BY CHALLENGING
This is an achievement that the adoption of an alienated “avant-garde” stance, and a difficult musical style more typical of midcentury modernists, might well have thwarted. That was the real tension for Britten, in many personally crucial ways genuinely alienated from contemporary society, yet, as he put it, “longing to be used”41 by that very society, seeing his most useful potential role as that of a faithful and acceptable gadfly who could, by pleasing his audience with satisfying art experiences, lobby for points of view that challenged, and sought to undermine, the complacency of the majority.
- Citation (MLA):
- Richard Taruskin. "Chapter 5 Standoff (I)." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 3 May. 2016. <http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-005008.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 5 Standoff (I). In Oxford University Press, Music in the Late Twentieth Century. New York, USA. Retrieved 3 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-005008.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 5 Standoff (I)." In Music in the Late Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 3 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-005008.xml