LIFE WITHIN THE ENCLAVE
While far more lasting than its European counterpart, then, postwar serialism in America has owed its survival to patronage in a society that otherwise functions, in music as in other ways, on the basis of commerce. It has been a closed enclave, a hothouse growth, its cultivators standing with backs resolutely turned to their counterparts in other walks of American musical life. Yet despite the misgivings Babbitt voiced in 1976, many experienced their protected life within the hothouse as a golden age for composition.
- Citation (MLA):
- Richard Taruskin. "Chapter 3 The Apex." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 24 May. 2013. <http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-003013.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 3 The Apex. In Oxford University Press, Music in the Late Twentieth Century. New York, USA. Retrieved 24 May. 2013, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-003013.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 3 The Apex." In Music in the Late Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 24 May. 2013, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-003013.xml