THE NEW PATRONAGE AND ITS FRUITS
Babbitt seized the moment both to rectify the slight his dissertation had received and to secure for advanced music composition a new sort of academic patronage. On the strength of the “scientific revolution” that had taken place in music thanks to the development by Schoenberg of serial technique and its theoretical extension by Babbitt himself, he now proposed to the Princeton administration that music composition be recognized as a legitimate branch of music research through the awarding of the Ph.D., the highest earned research degree, as the terminal degree in musical composition as well as musicology.
- Citation (MLA):
- Richard Taruskin. "Chapter 3 The Apex." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 2 Sep. 2014. <http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-003011.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 3 The Apex. In Oxford University Press, Music in the Late Twentieth Century. New York, USA. Retrieved 2 Sep. 2014, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-003011.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 3 The Apex." In Music in the Late Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 2 Sep. 2014, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-003011.xml