Rzewski's politically (or at least esthetically) efficacious “compromise” with tradition exposed a fault line within the politicized avant-garde of the late 1960s. On one side were those determined to remain true despite their political commitments to the esthetic principles of avant-gardism that had by then become a tradition in its own right; on the other were those for whom the political commitments of the so-called “new left” outweighed the esthetic. Sometimes the two commitments battled one another within the same unhappy creative personality.
- Citation (MLA):
- Richard Taruskin. "Chapter 2 Indeterminacy." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 2 May. 2016. <http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-002007.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 2 Indeterminacy. In Oxford University Press, Music in the Late Twentieth Century. New York, USA. Retrieved 2 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-002007.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 2 Indeterminacy." In Music in the Late Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 2 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-002007.xml