In 1866 Carl Engel (1818–82), a German organist and music scholar who had been living in England since 1844, published a monograph called An Introduction to the Study of National Music. It consisted mainly of a comprehensive, if loosely organized, survey of folk songs from around the world, accompanied by obiter dicta culled from such scholarly literature as then existed on the subject. The author's own contribution was the comparative framework and the myriad observations he allowed himself to draw from it. “Although no people has been found without music of its own,” he announced on the first page, “the degree of susceptibility and fondness for music, as well as the form and spirit of popular musical compositions, vary greatly in different nations.”
- Citation (MLA):
- Richard Taruskin. "Chapter 14 The Symphony Goes (Inter)National." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 3 May. 2016. <http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-014009.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 14 The Symphony Goes (Inter)National. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 3 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-014009.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 14 The Symphony Goes (Inter)National." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 3 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-014009.xml