SYMPHONIST AS VIRTUOSO
One time-honored, far less sentimental way of cherishing art is as an exercise of ingenuity and artifice that aims not at self-improvement but at euphoria. The late-nineteenth-century French symphonic repertoire boasts a work of that kind, too. Besides the high- minded symphonies of Franck and his pupils—they include Vincent d'Indy (1851–1931), who wrote five between 1870 and 1918, and the short-lived Ernest Chausson (1855–99), who completed one in 1890—there was also the flamboyantly virtuosic Third Symphony (1886) in C minor (but of course ending in a triumphant C major) by Camille Saint-Saëns, the original architect of the Société Nationale.
- Citation (MLA):
- Richard Taruskin. "Chapter 14 The Symphony Goes (Inter)National." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 28 Mar. 2017. <http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-014006.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 14 The Symphony Goes (Inter)National. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 28 Mar. 2017, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-014006.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 14 The Symphony Goes (Inter)National." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 28 Mar. 2017, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-014006.xml