WAR BRINGS IT TO FRANCE
For composers of the Boston School, an even more influential symphonic model than Dvořák's “New World” Symphony, because it preached less a national than a spiritual sensibility, was the Symphony in D minor by César Franck (1822–90). Despite his Germanic surname, Franck was a Walloon (French-speaking Belgian) composer who plied his trade in Paris, and whose career paralleled Bruckner's in many ways.
- Citation (MLA):
- Richard Taruskin. "Chapter 14 The Symphony Goes (Inter)National." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 12 Mar. 2014. <http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-014005.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 14 The Symphony Goes (Inter)National. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 12 Mar. 2014, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-014005.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 14 The Symphony Goes (Inter)National." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 12 Mar. 2014, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-014005.xml