It was probably because his head, like those of most of his musical countrymen, was turned submissively toward Germany that Sullivan wrote an unwieldy historical opera like Ivanhoe. The true winds of operatic renewal were blowing again from Italy, and the tendency they furthered remained that of “comedization,” cutting things down to size and making them pungent and “actual” (that is, related to the audience's experience) rather than impressive and remote. The Italian name for it was verismo, “truthism.” It was under cover of this rigorously naturalistic idiom that Italian opera crossed into the twentieth century.
- Citation (MLA):
- Richard Taruskin. "Chapter 12 Cutting Things Down to Size." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 3 May. 2016. <http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-012009.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 12 Cutting Things Down to Size. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 3 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-012009.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 12 Cutting Things Down to Size." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 3 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-012009.xml