The librettist of Ernani was Francesco Maria Piave (1810–76), with whom Verdi collaborated over the next eighteen years on more than a dozen projects, making Piave the composer's most faithful and prolific accomplice. Their partnership was by no means an equal one. The composer dominated the librettist mercilessly, reversing the traditional theatrical hierarchy and in so doing epitomizing the vastly heightened status of music—or, to put it more precisely, of musical originality (“genius”)—in the later nineteenth-century scheme of things artistic, even in Italy.
- Citation (MLA):
- Richard Taruskin. "Chapter 11 Artist, Politician, Farmer (Class of 1813, II)." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 3 May. 2016. <http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-011005.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 11 Artist, Politician, Farmer (Class of 1813, II). In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 3 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-011005.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 11 Artist, Politician, Farmer (Class of 1813, II)." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 3 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-011005.xml