THE POLITICS OF INTERPRETATION
So, it is high time to ask, what's it all about? What kind of a statement about Russia was Balakirev making? What kind of a story was he telling? As in all interpretative matters, there is room for alternatives and negotiations. Perhaps the most interesting fact about Balakirev's second Overture, and surely the most fascinating aspect of its history, is how many mutually exclusive alternatives and how much negotiation originated with the composer himself.
- Citation (MLA):
- Richard Taruskin. "Chapter 9 Slavs as Subjects and Citizens." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 1 Apr. 2015. <http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-009007.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 9 Slavs as Subjects and Citizens. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 1 Apr. 2015, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-009007.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 9 Slavs as Subjects and Citizens." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 1 Apr. 2015, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-009007.xml