ART FOR ART'S SAKE
As all these Russian quotes suggest, much of the opposition to the New German School came from outside the German-speaking lands, many foreign musicians suspecting nationalistic designs behind the School's universalist pretensions. And yet the opposition's most famous single salvo came from the Austrian critic and music historian Eduard Hanslick (1825–1904), who in 1854 authored a tract called “On the Musically Beautiful” (Vom musikalisch-Schönen) that went through many editions (ten within the author's lifetime) and is still in print. It is difficult today to appreciate the polemical force of the title; but at the time, for a German critic to insist on beauty looked to many like virtual treason.
- Citation (MLA):
- Richard Taruskin. "Chapter 8 Midcentury." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 21 Jan. 2017. <http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-008007.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 8 Midcentury. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 21 Jan. 2017, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-008007.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 8 Midcentury." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 21 Jan. 2017, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-008007.xml